• A Matisse Art Lesson for My Son’s Class

    Exhibition Matisse at the Museum of Modern Art in New York – 1992

    Volunteering to Teach an Art Lesson/Project on Matisse

    I thought I’d share my proposed Matisse Art Lesson/Project lesson for my son’s class. My son is in public elementary school, and this year, his school lost its art teacher due to budget cuts. The teacher asked for any parent volunteers to teach an art class. I love modern art (see https://kathystrobos.com/about-me/ ). So I volunteered to teach an art class on Henri Matisse, ending with the kids doing a cut-outs art project, following the Drawing with Scissors art lesson plan. Several other moms also offered to help, so thankfully I won’t be alone.

    It’s only a 50 minute class, so ultimately that’s not that much time. (Or that could be a REALLY REALLY long time if it all goes bottoms up.) I want to do a little bit on Matisse and then let the kids “draw with scissors” to make art imitating Matisse’s Cut-Outs. I am still working on my lesson plan but I thought I’d share it here in case other parents are looking for an art lesson for their kids or for a class. Or in case anyone has any advice.

    It was hard to pick which paintings to show the children as part of the art lesson. As expected, Matisse painted a lot of naked people, so I wanted to find some non-naked drawings. Since Matisse is one of my favorite artists, I bought the Museum of Modern Art Matisse Exhibition book from the retrospective in 1992. I also borrowed Art Book Matisse by Gabrielle Crepaldi from the New York Public Library.

    So here’s the first draft of the lesson plan. I think we can spend 15 -20 minutes on the art history and then have 30 minutes for the art project.

    Art Lesson on Matisse the Artist

    Matisse was born in northern France in 1869. He trained to be a lawyer but took up painting while recovering from appendicitis.

    He went to Paris to study art at the Academie Julian and he apprenticed to another painter Gustave Moreau.

    This picture from Drawing with Scissors shows one of his first paintings (a stack of books). It also shows one of his last pictures, so you can see the evolution in style.

    Shows the evolution of his art from one of his first paintings to one of his last works of art
    From Drawing with Scissors by Keesia Johnson and Jane O’Connor, illustrated by Jessie Hartland

    Fauvism

    In 1905, there was a radical change in his work. While in the South of France, he began to paint with bright, clashing colors. “Honor every color without sacrificing a single one,” wrote Matisse.

    This style was eventually called Fauvism, after a critic called Matisse and other artists painting in this manner “fauves”, which in French means “wild beasts.”

    Here’s one painting showing this new painting style.

    The Roofs of Collioure by H. Matisse (summer-autumn 1905)

    Matisse said that Fauvism was construction by means of color. He said that the art should convey the artist’s response to his subject. What do you think Matisse was feeling when he painted the above? Why? (If no one answers, I would say happy because he used bright colors.)

    Matisse’s painting style continued to change, but he always remained true to bold color.

    The Influences of Travel and Geometry in Matisse’s Work

    Matisse traveled a lot and he was influenced by his travels to those different areas/countries (Russia, Morocco, and Asia).

    Another element to look for in his paintings is Geometry (he has lots of shapes) and Nature. Let’s look at some of his paintings and see whether we can identify any geometric or nature elements.

    Harmony in Red by H. Matisse in 1908

    What do you notice about this painting? There’s part of a rectangle (a geometric element). And there are a lot of decorative elements; it looks like there are vines crawling all around the room. The red is also very intense. It looks like there is a table but it almost flat. An interesting fact is that the large canvas was initially painted in green and the painting was called Harmony in Green. Then Matisse painted over it in blue and called it Harmony in Blue. An art collector bought it. Then Matisse changed his mind again, before delivering it, and re-painted it red. (See Art Book Matisse by Gabriele Crepaldi (Dorling Kindersley) at p. 60).

    Goldfish by Matisse 1911

    What do you notice about this painting? I see a lot of circular shapes. Also plants (nature) and again bright colors. What do you feel when you see this painting? It’s one of my favorites.

    The Piano Lesson by H. Matisse 1916

    What do you see in this painting? I see a lot of triangles. The metronome is echoed in the boy’s face and the window. Also compare this to Harmony in Red – what is similar again? The swirls in the ironwork of the window remind me of the vines in Harmony in Red.

    As an aside for adults, according to the Matisse Art Book, “critics have read symbolic significance into the scene, identifying the opposing elements of the creative process with emotional, irrational intuition on one side, and on the other side, deliberate rationality.” (Art Book Matisse by Gabriele Crepaldi, at p. 79). I can see that in the art sculpture in the lower left hand corner versus the woman sitting stiffly in the upper right background. It’s the tick of the metronome versus the expressive music emerging from the piano in the black swirls.

    Matisse’s Cut-Outs

    Exhibition Matisse (Henri Matisse: A Retrospective, The Museum of Modern Art, New York, at p. 412

    In 1946, Matisse was nearly 80 years old, and painting and carving sculptures had become increasingly difficult for him. He found a new opportunity for expression in making cutouts. Let’s read Matisse’s Garden. (It depends on time if I can read this to them, but I read it to my children as practice and they were inspired to make the cut-out art after listening, so it seemed effective.)

    Matisse’s Garden by Samantha Friedman, Illustrations by Cristina Amodea

    Drawing with Scissors Art Lesson

    I found this amazing book, Drawing with Scissors, with a free art project lesson plan (http://creativityconnection.fabercastell.com/henri-matisse-art-lesson/ ) (available at Amazon: https://www.amazon.com/gp/product/044842519X/ref=ppx_yo_dt_b_asin_title_o01_s00?ie=UTF8&psc=1). So we will then follow the art project lesson plan (although it recommends 2 45-minute classes). My children wanted to use pencils and I told them they had to use scissors to draw.

    The Museum of Modern Art also includes a section on Matisse in its Family Guide. I am going to include their advice for arranging the shapes in my Matisse art lesson for my son’s class. See https://www.moma.org/momaorg/shared/pdfs/docs/learn/Education_FamilyGuide_Singles.pdf On page 18, they advise finding Matisse’s The Swimming Pool. Then they ask kids to rip out shapes and arrange them on the next page. “Experiment with placing your shapes close together, far apart, overlapping, and in different directions.” (at p. 19). There’s also this cool video https://www.youtube.com/watch?v=-rke7RmxwfY by the MoMA.

    So anyway, we will see if this works or if it all looks like the contents of the recycling bin, as one mom said. Lol.

    Any advice on creating a Matisse art lesson for my son’s elementary school class? Are there any artists that you like that are good for elementary school classes? Who are your favorite artists?

    Update: The kids loved it. And the art looked amazing! The teacher allowed them to do it again during their free time on Friday. Also I highly recommend using the craft pattern scissors available at craft stores or on Amazon as well as regular scissors.

  • Can there be too much dialogue in a manuscript?

    Two Friends Talking

    Can there be too much dialogue in a manuscript?

    According to some, yes.

    Robert McKee’s Advice on Film Dialogue

    I was taken aback by McKee’s advice: “The best advice for writing film dialogue is don’t. Never write a line of dialogue when you can create a visual expression.”

    As he explains in Story, “But if you write for the eye when the dialogue comes, as it must, it sparks interest because the audience is hungry for it.” (Story, p. 393). Of course this is for film, and that’s different from a novel, but I still like the notion of the audience or reader being hungry for the dialogue.

    I love writing dialogue. I also like to read dialogue. I read that much faster than long paragraphs of description. And of course, the above advice is for film. So does it also apply when writing a novel?

    Studying the Techniques of Other Writers in My Genre

    Book Cover of Evvie Drake Starts Over

    I can see that Evvie Drake Starts Over by Linda Holmes has less dialogue than my MS. Some conversations are expressed via paragraphs like this one:

    “When it got to the late afternoon, Evvie poured bourbon and made snacks, and they sat on the love seat with their feet on the coffee table and listened to the new episode of the true-crime podcast they’d both been following. Dean rolled his eyes and complained that the people were clearly never going to solve the case, and Evvie passed him a peanut butter cracker and said it was about the journey.”

    Evvie Drake Starts Over by Linda Holmes at p. 280

    So I ‘m going to review my MS and see what I can re-write in this manner.

    And I’m in the middle of reading Star-Crossed by Minnie Darke (and I’m really enjoying it) and studying her technique.

    Book cover of Star-Crossed

    And here’s a conversation that you definitely don’t want to hear in detail, which is the author’s point, as neither does her character Tara. Lol.

    “Tara introduced herself to the silver-haired gentleman beside her, and before long was engaged in a conversation about an unpleasant-sounding bovine condition called campylobacter.”

    Star-Crossed by Minnie Darke at p. 70.

    What is My Dialogue Doing?

    As you’ve undoubtedly read, conversations have to move the plot forward or reveal something about the characters. See https://nybookeditors.com/2017/05/your-guide-to-writing-better-dialogue/. And I realized that some of my scenes were just fun banter. But can I keep some of that if it is humorous? I think they did reveal something of my protagonist, so I kept some of it, but shortened it.

    The Well-Storied blog gives this great advice to “identify the tension at the core of the scene” and craft related dialogue. That’s just one of 19 good tips at https://www.well-storied.com/blog/write-better-dialogue.

    And I also found this blog post from Ride the Pen very helpful about using body language tags to express emotion and convey conflict and character. See https://www.ridethepen.com/body-language-in-dialogue/ .

    Adding Action

    I also found this advice very helpful from The Editors Blog: “If characters only talk, if they don’t respond to the conflict with action, then that conflict isn’t accomplishing as much as it could. ” https://theeditorsblog.net/2011/10/25/dialogue-my-characters-talk-too-much/

    All of the above blog posts are great resources, so I suggest reading them in full.

    Three Take-Aways

    1. Review dialogue in MS and see if it is moving the plot forward or revealing something about my characters. (Or if it’s funny, in which case I also want to keep it.)
    2. Label my scenes as action vs. talking. See if I need to add more action. (Probably.)
    3. In talking scenes, check if the description can be enhanced such that it creates a “visual expression” (possibly via body language).

    What’s your preference when reading? Can you share any advice about writing dialogue?

  • Where do you hide your holiday presents?

    Taking advice from Edgar Allen Poe’s The Purloined Letter (Hide it in plain sight)

    Where do you hide your holiday presents? We live in a New York City apartment, so hiding spaces are few (even for when you play hide-and-seek, as you do with kids).

    And we are using all almost our space. We have  even put in storage space abover our bathroom ceiling. That’s one of the main places I hide presents. You need a ladder to get up there, so it’s not easily accessible.

    However, even my main hiding spots are beginning to fill up. My usual spot in the basement is storing toys which haven’t been played with in awhile. But they are in the purgatory period – will my son notice that they have disappeared? If not, in six months, we can donate them. (Not that that always works.)

    But I’ve found a new spot. Can you spot the hidden presents?

    Where would you hide them in this closet?

    Feel free to post your guess below. (I can use that next year in case my daughter reads this article).

    The presents are in the laundry bags! (And yes, I have a lot of black clothes. And my closet looks nothing like The Container Store closets or any designed closets. :).  Although I do love the Container Store plastic boxes and highly recommmend those.

    My tip is to wrap the presents in case they are found.

    And then the key is to remember where you hid them.  I often forget where I’ve put the presents if I deviate from my usual spaces. When I am older, I  plan to spend December hiding presents for myself, so I can spend the rest of the year finding my presents 🙂

    Have a great weekend! Where do you hide your holiday presents? And how do you remember where you hid them?

  • Join Me on My Writing Journey

    I’m embarking on my writing journey and I hope you’ll join me! I first started writing a romantic comedy many years ago; I saw such a bad one that I thought, I can write a better one than this.

    Starting My Writing Journey

    I started taking online writing classes (I’m a mom and I was working as a lawyer), so online was my best option. I enrolled in The Writer’s Academy Constructing a Novel, and it was so much fun. I loved writing, and I enjoyed talking about writing with other writers in the course. My writing tutor in The Writer’s Academy wrote that my scene was “sparky” and I was on Cloud Nine. An acquaintance saw me that day and said I was glowing as if I was in love.

    Indeed I had found a new love: writing. Writing a really good scene makes me so happy. But I didn’t have the courage to leave my job (and source of income yet). So I tried writing part-time, but eventually I realized that I just couldn’t do it part-time. (Unfortunately, I’m someone who needs sleep too.) So I quit my job. And here I am.

    Learning Writing Craft

    I love attending writer’s conferences and taking writing craft courses. I can’t believe that I get to choose from course selections of “Sensual Love Scenes without Stuffing the Turkey” from Alison May and Liam Livings at the RNA Leeds Conference or “Character Torture” by Linnea Sinclair. (I highly recommend taking any courses offered by those authors.) Compare that to “Recent Developments in Securities Fraud Cases,” “GDPR Enforcement,” and “Cyber-Security and Privacy” (course selections at my lawyers’ conferences). You can see there’s a huge difference.

    Which pile would you prefer to read?

    Not that I don’t miss practicing law at times.

    Rejections and Encouragement

    Because similar to my dating life when I was single, there have been quite a few rejections. But I am still plugging away, trying to improve my craft and making friends with other writers. I eventually found a great guy to marry after many dating disasters, so there’s hope! And I placed Third in the Los Angeles Orange Rose Contest for Women’s Fiction with Romance as a Central Element! They wrote that “You will be published.” (By whom? It’s like a tarot card reader who just hints at good news: “You will meet the man of your dreams. You will come into a fortune.”)

    Woohoo!

    Join me!

    So, join me on my journey! Have you changed careers? (Are you a recovering lawyer?) What do you like to read? Do you write? How did you begin your writer’s journey?